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By Mary Catherine Bateson

Composing yet another existence Bateson sees getting older this day as an "improvisational artwork shape calling for mind's eye and willingness to learn," and during this ardent, putting forward learn, she relates the studies of guys and women--herself included--who, upon coming into this moment maturity, have chanced on new that means and new how one can give a contribution, composing their lives in new styles. complete description

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Extra info for Composing a Further Life: The Age of Active Wisdom

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This is new. Every society has some members who are not yet full participants—infants, children, and those approaching adulthood, whom we now call adolescents. And every society has adults who are simultaneously full participants in maintaining the society and in its perpetuation as they produce and rear children. And every society has at least a few older members who are past their reproductive and child-rearing years, often in declining health. This older generation typically withdraws from some kinds of participation, but the pattern always includes some continuing contribution, often of a sort that is not open to younger adults.

Shaping the Future XI. Knowledge Old and New Epilogue References A Note About the Author Acknowledgments THE SUBJECT MATTER of this book began to intrigue me in 2000–2001, when I was a fellow at the Radcliffe Institute for Advanced Study writing about lifelong learning. For three years after the fellowship, I taught a seminar on adult learning at the Harvard Graduate School of Education, building on the teaching and research I had done on life history narratives since I was appointed a Robinson Professor at George Mason University in 1997.

Permission to reproduce portions of his charts was given by Kai Erikson. I owe a debt of gratitude to my agent, John Brockman; my editor at Knopf, Jane Garrett, and her assistant, Leslie Levine; and the copy editor who has worked on my last three books, Susan M. S. Brown. , and, as always, it has been read carefully in various stages of draft by my husband, J. Barkev Kassarjian, and my daughter, Sevanne Kassarjian. Prologue WHEN I COULD WALK NO FURTHER, I simply collapsed. My previous image of the desert had been of a sandy waste, level or twisted into undulant dunes, but this was all rock and mountain with a few dry, thorny bushes.

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